…is waiting for me at the library. Anybody read it? Can I skim it if I just want to be moderately effective?
Category Archives: Books
Should I keep reading this? Look Homeward, Angel by Thomas Wolfe
I’ve had Look Homeward, Angel by Thomas Wolfe on my nightstand for at least a month now, probably more like six weeks, and I’m still only about 150 pages in. I truly don’t know what to do—whether I should return it to the library and start something else or just keep pushing onward.
In theory, I subscribe to the school of thought that says if a book hasn’t grabbed you by page 100, you should drop it. But I also subscribe to the school of thought that says there are worthwhile rewards to be reaped by not just reading things that hook you easily. And the hardest part is that Wolfe hasn’t quite grabbed me—but I can feel myself warming to the book.
Thoughts? Does anyone have any particular philosophy or strategy for dealing with this? Or have you read the book and know I should hang on, because the part with the naughty-schoolgirl whipped-cream party is coming up? (I hate ending blog posts with questions because (1) it seems so “Here’s a tip to engage readers!” and (2) it’s extra embarrassing then when no one comments.*)
*That sentence will make it even more embarrassing when no one comments.
A short list of things I have read recently
Hey! I’ve read some things lately, and I thought I would share them with you.
Tango Charlie and Foxtrot Romeo and The Star Pit, by John Varley and Samuel R. Delany, respectively. This is a “Tor Double”—both these novellas were too short to warrant a book unto themselves, so Tor packaged them as one. (They’re, like, flipped, so that the book has two front covers—one for each story—and no back cover.) I have recently mentioned my love of Samuel Delany, and The Star Pit did nothing to diminish that. There’s a detached sadness in so much of his work, a—forgive me, I am going to sound a little pretentious here—not quite existential bleakness shot through with hope. Delany’s protagonists so often seem to understand that life is worth living—but also to grasp just how much work it takes to live, and to grasp it so aptly that they can’t help but sink into periodic despair. I read him because that is more or less how I think life is, too; and because he manages to capture the mundanity of everyday life while still making it feel alien and odd but no less true; and because he offers such striking images (this story begins with the description of an ecologarium—a large terrarium built over a small patch of land to allow kids the chance to observe real life-forms growing and dying); and because his ideas are that perfect mix of simple and wonderful (the plot centers on how only a select few humans are genetically capable of traveling outside the galaxy; others lose their minds when they get too many light-years out). Tango Charlie was just fine, too, but unremarkable to me; and anyway, John Varley suffers here almost necessarily, because the two stories must inevitably be compared (packaged as they are, as one), and Delany leaves me with a head too full to really dwell on anyone else’s merits.
The Time Machine, by H.G. Wells. This has been on my shelf for a while, and I wanted something quick and light to carry with me when we went on vacation at the start of the month, and Gene Wolfe told me H.G. Wells was more or less the founder of modern science fiction (because the oft-cited Mary Shelley’s Frankenstein has no children, he said). So I was like, I should probably finally check this out. The story I pretty much knew, even though I hadn’t read it; the Eloi and Morlocks are lodged reasonably firmly in the cultural consciousness by now (although I was unaware how simple the former are). What surprised me was how clean and elegant and easy the writing was. I mean, yeah, granted it’s got “Scholastic Classics” printed right on the cover; I shouldn’t have been astonished. But jeez, man, I was—the book really zips along. Almost as if it were a time machine itself. (In other news: What’s up with this tiny mass-market paperback—I’m holding it in my hand; trust me, it’s slight—selling for $18 on Amazon?)
A Visit From the Goon Squad, by Jennifer Egan. You know, my friends are so smart that long before this book won the 2010 National Book Critics Circle award for fiction—like, more than half a year ago—they had recommended it to me and I had requested it from the library. It came in a few days ago, and I finished it the other night, and I most heartily recommend it to EVERYONE ON EARTH. This is a book that will make you feel smarter. It dances on the (surprisingly narrow) line between depressing (because it is about things ending) and uplifting (because it is also about things beginning; but more to the point, because in content and in form it reminds you of the joy that comes from things simply happening—that is to say, not only are the things that happen to the characters delightful* to read about, but the structure of the book is such that you are delighted* by the act of reading it). It ends with a vision of the near future that veers palpably close to dystopia—and really, it might be. But it feels so unsettlingly like our own time that we either have to conclude that things after the close of the book are Going to Be OK, or confront the fact that Jesus Christ, everything right now is a terrible mess. (A little of column A, a little of column B is probably the right answer, as usual.)
(*Not quite the right word, but yes, “delight” is pretty close to what I mean, though I could see how you might disagree if you’ve read it.)
I also just finished One and the Same: My Life as an Identical Twin and What I’ve Learned About Everyone’s Struggle to Be Singular, by Abigail Pogrebin, and the fourth and fifth books of Michael Moorcock’s Elric saga (The Vanishing Tower and The Bane of the Black Sword, respectively). The twins book I read to get some insight for a fiction project I’m working on, and I would suggest it for anyone looking for a readable, thoughtful, human examination of what it means to share your DNA with someone else. As for Elric, he probably deserves (and probably will get) a post or two of his own here. I’ll just say that I’d never read beyond Book III (The Weird of the White Wolf) until now; and although it’s always been pretty easy to see why an albino warrior-sorcerer wielding a sentient, evil, soul-eating magic sword, and occasionally traveling through other dimensions, has been such a long-standing favorite of the F&SF community, I did not really appreciate these stories as stories until early in Book V. Something just clicked there; I’m not sure what. Anyway, only one book left in the series (not counting the couple of extras Moorcock later wrote), and frankly, I cannot get through my work-related reading fast enough.
Am I still writing that ‘Blogging the Hugos’ column for io9?
I feel like I mention “Blogging the Hugos” a lot here, but that is largely because the other things I’ve written since the start of the year are not all that bloggable. Like, I recently wrote a pretty solid feature on how to properly light a designer jewelry store—but I don’t think that many designer jewelry retailers are reading this blog. (I should note, though, that you can see the story in nearly all its carefully laid-out glory by checking out the e-edition of the latest Indesign.)
Anyway, that qualification out of the way, I’m posting this as a general note, because I’ve gotten some questions about why there hasn’t been a new “Blogging the Hugos” in almost a month (and why that one took so long to appear, too). Here is my answer, in easy bullet-point form:
- Yes, I am still writing the column.
- The last post (on Downbelow Station) took so long to appear because I took some time off in December for the holidays. (I said I’d be doing so at the end of the post before that, about The Snow Queen.)
- The current post is taking so long to show up because it is actually posts. The next Hugo-winning novel is Foundation’s Edge by Isaac Asimov. Alasdair Wilkins from io9 and I are doing a back-and-forth style dialogue about it, as we did for Asimov’s previous Hugo winner, The Gods Themselves. But since the novel is part of the seven-book Foundation series—the first three of which won a unique Hugo for Best All-Time Series—we thought we’d be remiss not to seize the opportunity to write about all six other books, as well. And reading, then writing about, seven books takes awhile.
- The notorious Gawker Media redesign has played maybe a small role in the delay, too, inasmuch as Alasdair writes for io9 on a daily basis, and any redesign brings with it a thousand minor bugs and changes in workflow that can serve to eat up your time. (On a side note, it’s really not a bad time to be not posting; by the time we’re ready for our week of Foundation posts, some of the little glitches in the redesign may be fixed, and some of the presently irritated readers of io9 may have calmed down.)
- As you may have heard, my bride and I are having a baby. That, plus a corresponding desire on my part to Get Lots of Work Done and Make Lots of Money, has somewhat limited the time I can devote to blogging about Hugo books (which is really fun, but does not, sadly, Make Me Lots of Money).
So that is why there hasn’t been a new “Blogging the Hugos” in a while. After Foundation Week—whenever it happens—things should get back on their more or less biweekly schedule. You can always, of course, check the column’s official Twitter feed to see how things currently stand.
Marshall McLuhan: Escape Into Understanding, by W. Terrence Gordon
Finally, finally, finally. I’ve owned this book for years—I can’t even remember when I bought it, or where I was; I just have a dim memory of a used bookstore in some large city I don’t think I lived in, and I feel like my friend Pat was there, too.
Anyway, I started it right after I bought it, lost interest a short way in, and put it down. (This happened with about a hundred books for several years of my life.) And since then, it has hung over my head. I mean, I am a big fan of Marshall McLuhan’s work, and I have always been curious about the man behind it. So if I’ve got a biography of him on my shelf, why not read it already?
Well. As it turns out, I’m glad I waited until now to pick it up again. Escape Into Understanding is not just a history of McLuhan’s personal life, but a close look at how his theories evolved. It is pretty astounding: The path traced by W. Terrence Gordon links McLuhan’s first major work (his doctoral thesis on 16th-century British journalist Thomas Nashe, from when he was a grad student at Cambridge in the 1930s) to his last (the book Laws of Media, written with his son Eric and posthumously published in 1992). Obviously, there’s quite a bit of development and change over the course of sixty years, but the basic stamp is always there. From the beginning, McLuhan was thinking in a different mode from most of the intellectual world.
If you don’t understand that mode, it would be hard for me to recommend this book to you; I’m not sure how much of it would have made sense if I hadn’t been digging into Laws of Media and The Gutenberg Galaxy and The Medium Is the Massage and, mostly, Understanding Media over and over again for the last decade-plus. The tricky thing about McLuhan is that he was trying to challenge our most fundamental assumptions about how we understand things. So the idea that you read, say, a history of the printing press (who invented it, what the first books printed were, how the technology became more efficient and powerful over time) and then “understand” the printing press—that was sort of anathema to McLuhan. Because to study the printing press as an isolated technology is to miss the larger point, which is the printing press’s effects on culture as a whole.
Interview with Gene Wolfe
I talked to author Gene Wolfe about his new novel, Home Fires, for io9. An excerpt:
An idea that I’ve been playing with a lot, I played with in this story too — you also find it in Evil Guest and you’ll find it in Memorare: It’s “What if yesterday, somebody discovered an interstellar drive?” Somebody in some research facility somewhere is sitting there and scratching his head, and thinking, “My God, look at the possibilities in this. How do we tell people? Who should we tell first? Should it be kept secret? If we tell the government now, they’re gonna classify it as top secret and it’ll be hard to work on it anymore. What do we do?” It could happen. I would say that the odds are probably, oh, something like one chance out of 200 that something like this will happen. And if it happens, it’s gonna turn things on their ear! Suddenly, suddenly, human beings will be able to travel outside the solar system and return in a reasonable amount of time. It’s going to be enormously bigger than the discovery of North and South America were in the 15th century.
You can read the full interview here. And Home Fires is out today.
Downbelow Station, by C.J. Cherryh
After a holiday break, my io9 series Blogging the Hugos has returned. This weekend, I wrote about 1982′s Hugo winner:
It’s always worth taking a second look: I read Downbelow Station a few years ago, and remember vaguely enjoying it and then forgetting almost entirely what it was about. So it was with some trepidation that I picked it up again. If it didn’t make an impression the first time through, would the second be a drag?
No, it turned out, it would not. This book doesn’t have any flashy-cool technology, or superhumans, or phenomena beyond the ken of mortal understanding. It is set a few centuries in the future, but the characters are for the most part people like today’s. And though it takes its title from a space station, you could argue that the novel could be recast in a non-science-fiction format — set on Earth in the present day or past — without altering the basic story too terribly much.
If you have comments, leave them over there!